I watched Selma last night and really enjoyed it. As usual, I agree with what Eileen Jones says: it’s a great and rare-for-movies portrayal of political strategy and tactics. I was especially impressed by how many different activists were given important and distinct parts: Hosea Williams, John Lewis, Diane Nash, Ralph Abernathy, Andrew Young: we get a sense of their particular work without any cheap backstories.
But there was one, very small touch that really struck me: the way the family treated the story of Viola Liuzzo. I knew just a little about her story, mostly the outlines of her story Corey mentions in his wonderful post: that of a white mother of 5 and local activist from Detroit who heeded King’s call to come lend aid to the march, only to be murdered right after the third and triumphant march by KKK members as she drove marchers back to Selma. When I saw her introduced in the film, I couldn’t help but wonder how they would handle this: portraying this senseless loss just after the moment of great triumph. That’s not the way the scripts go, and who would have blamed Ava Duvernay or the film for leaving it out? But they don’t. It’s right there in those usually triumphant final titles: we read: Viola Liuzzo was murdered 5 hours after this speech just as the music swells. It’s not a story of sacrifice and then triumph: the sacrifices just keep coming.
Most days I take my son to school on the bus and there are a couple of high schoolers who ride it regularly. Recently I heard them complain about their English teacher and why she kept talking about racism and King: “We get it. He made a good speech. Get over it.” I understand the resistance of many to using a Hollywood film, even a very good one, as the basis for education, but there’s no doubt Selma offers lots of people a lot more than what they’ve been getting.